https://zoeschoenherr.co.uk/beast daily 0.75 2020-03-24 https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540407507521-RQPKG6TSXH8RWLWYJZI7/12.+Installation+shot.jpg Past Traces https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540407507521-RQPKG6TSXH8RWLWYJZI7/12.+Installation+shot.jpg Past Traces https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540407523092-NDH4AFYGLAKQMNGKMBVM/13.+Relevance+of+Functionality+1.jpg Past Traces https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540406452101-UPXBCGA4A3KJCGR3X5TL/13.+Relevance+of+Functionality+1.jpg Past Traces https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540410845003-STVW0OXVFSADW25N17NH/2.+Relevance+of+Functionality+2.jpg Past Traces Introduction[ZS1] The ‘Time to Change’ campaign began in 2007. Since its launch the campaign has impacted the lives of millions of people and created “9.6% change - that's an estimated 4.1m people with improved attitudes.” (“time-to-change”, 2018[ZS2] ). The objectives underlying the campaign is twofold. Firstly the campaign aims to change awareness and attitudes surrounding the perception of those with mental health illnesses to reduce stigma and discrimination. The target audience for this part of the campaign is wide spread as it includes anyone within the general public. The second part of the campaign is directed towards the lives of those with existing mental health illnesses with the aim to ….??[ZS3] . To effect attitude change ‘Time to Change’ has adopted a number of different strategies including running network hubs, time to talk days and creating media campaign[ZS4] s. Although ‘Time to Change’ have conducted survey’s to measure changes in public attitude, it has not looked at the specific causes within the campaign that may have effected this change. In this essay possible underlying causes of attitude change will be discussed from both the perspective of public with and without mental disorders. To do this only one aspect of campaign will be evaluated, the media campaign. In the past the media has played a key role in shaping negative attitudes surrounding mental disorders. Therefore how the media is used to do the very opposite in this campaign will be discussed and how if at all the past will still play a role in effecting this change. To guide this evaluation French and Raven’s power of conformity theory will unpinned this comparative discussion between the types of audience and the effect one single media image from the campaign. https://zoeschoenherr.co.uk/rust daily 0.75 2018-10-24 https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540406556503-ZZOID6CLRB2C0GK5IAN3/1a.+Malleable+Architecture+still+%28Zoe+Schoenherr%29.jpg Malleable Architecture - Malleable Architecture Dancer: Holly Thomas Choreographer: Janine Harrington Supported by UCL Civil Engineering Funded by The Leverhulme Trust https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540406556503-ZZOID6CLRB2C0GK5IAN3/1a.+Malleable+Architecture+still+%28Zoe+Schoenherr%29.jpg Malleable Architecture - Malleable Architecture Dancer: Holly Thomas Choreographer: Janine Harrington Supported by UCL Civil Engineering Funded by The Leverhulme Trust https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540407000589-3M8G08NQF9L8Q6P6L0PV/1b.+Malleable+Architecture+still+%28Zoe+Schoenherr%29.jpg Malleable Architecture https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540407036766-8M7HBLAVXLZNT3N1DRHD/1c.+Malleable+Architecture+still+%28Zoe+Schoenherr%29.jpg Malleable Architecture https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540410641203-T0KPPFCTC2465K5MVBE2/_DSC3010.jpg Malleable Architecture https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540410614317-97TLXOP6VX5HFUVE2IHF/_DSC2981.jpg Malleable Architecture https://zoeschoenherr.co.uk/new-gallery daily 0.75 2020-03-30 https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585566128580-J9XMGTZ1HHL9KMKVXCOP/12.+Installation+shot.jpg https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585566128580-J9XMGTZ1HHL9KMKVXCOP/12.+Installation+shot.jpg https://zoeschoenherr.co.uk/projects daily 1.0 2024-02-17 https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585075641735-DX51IXIM1MA39MAEFHT0/image-asset.jpeg Studio - Malleable Architecture In this project, I integrated scientific research skills with my sculpture work to produce a structure that activates and responds to the dancer’s movement. I employed the qualitative interview methodology and contact improvisation dance as an innovative research tool. With the dancer having a visual impairment, this approach gave an insight into how she constructs perception through movement and touch. It was during this study where I found a deepened comprehension of how architecture affects proprioception and engenders a sense of heightened confidence in the user. Materials: Plywood, paper and latex Dimensions: 600cm x 240cm x 135cm Location: PAMELA (pedestrian accessibility movement laboratory) at UCL. Credits: Pamela, UCL Civil Engineering: Professor Nick Tyler | Dancer: Holly Thomas | Dance Artist: Janine Harrington | Assistant Technician: Bethan Wall | Lighting: Biao Yang | Filming: Lucie Sheppard Funding and Support: The Leverhulme Trust and UCL Civil Engineering (2015) https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585651375422-7Y2UU0PKFKKAEXSONQA3/DSC_0291.jpg Studio ‘Site Works’ is a series of works that have been fabricated or proposed for public spaces. The bars series ‘Pose’ and ‘Stance’ look at how behaviour and movement can be shaped by the type of materials incorporated in public spaces. The works were then granted permission to be exhibited on a TFL London Double Decker Bus that was still in service, transforming our understanding of what perception means when experiencing places we regularly inhabit. Image Title: Pose (detail) Material: Cherry Wood Dimensions: 40cm x 40cm Funding and Support: The Leverhulme Trust, Pamela Laboratory, UCL (2015) https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1636458604064-Y45A8JADYMP07GY417XP/RSS+Sub+Final+1.jpg Studio Forcing Distance, 2021 Sapele hardwood, Digitally printed Aluminium, Rubber, Ceramic, Gilding. 180 x 30 x 40 cm Collaborative Project with artist Susie Olczak https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585245996348-0SRUC2JI72FFIUO78KL0/6.+Installation+shot.jpg Studio - Relevance of Functionality I & II With the landscape of Old Doha changed forever, this work reflects upon societies past relationship with the materials that surrounded their everyday movement. Materials: Oak and Greek White Marble Dimensions: 180cm x 120cm x 120cm Funding: Nominated and awarded to participate in QatarUK international cultural celebration. Funded by the British Council (2013) Publication: QatarUK, British Council https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585650845133-PEL09UE1AD3TEWA4RUX9/2.+Temporal+Transition+detail.jpg Studio - Temporal Transition (detail) Materials: Meranti Wood and Aluminium Dimensions: 135cm x 140cm x 30cm Year: 2013 https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1540407842250-9KO53U9ZBH6F5CZET5F4/18.jpg Studio - Inoperative Materials: Walnut Wood, Bronze Gilding, Self-Infusing Tape. Dimensions: 65cm x 43cm x 15cm Credit: City & Guilds of London Art School (2017) https://zoeschoenherr.co.uk/research daily 0.75 2020-03-24 https://zoeschoenherr.co.uk/biography-1 daily 0.75 2024-02-17 https://zoeschoenherr.co.uk/equipment daily 0.75 2020-03-30 https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576309284-38SBA2YOB2HU0RLVA4J5/image-asset.jpeg Equipment - Stance (2015), Cherry Wood, 80cm x 15cm https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576309284-38SBA2YOB2HU0RLVA4J5/image-asset.jpeg Equipment - Stance (2015), Cherry Wood, 80cm x 15cm https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576891667-972LSLPZT60O8DUTXGXO/3.Pose.+jpg.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576947664-0FIY4C6V4J1QV7C6LZ6L/7.+Sennit+detail.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576933995-K4JHVMYO9P9VW2CVKB8V/6.+Sennit.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576895932-R7YYOQRCDSKQELPNJC0I/4.+Move+with+me.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576994015-N0OHYZFCS8UBOYPQHJJL/17.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585577052633-Z7IVT06JCXPHFRNWA0PF/18.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576689175-0NRJV3KMTJ8E4PO6MVQX/3.+Untitled+%28Beam%29.jpg Equipment - Beam (2014), Walnut Wood and Steel, 210 x 160 x 95 cm https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585577045083-KJKF4VNDTD3NH2SMHJKH/19.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576922899-S33TJL0YG5L50Z7D5276/6.+Integral+.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576909499-DADUE1UR0SVWT95Z2AE7/4.+Temporal+Transition.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585576544963-DAKPO8ZFO6GXB0DS3XDI/2.+Temporal+Transition+detail.jpg Equipment - Temporal Transition (detail) (2013) Meranti Wood and Aluminium, 180cm x 20 x 90cm https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585577005945-8ZAKO5QIMUC5MOHLD624/apt+2.jpg Equipment https://images.squarespace-cdn.com/content/v1/5bd0b6734d546e21ecab545e/1585577019701-KZYJECU1395TXO7U81AQ/apt+1.jpg Equipment https://zoeschoenherr.co.uk/new-gallery-wexley daily 0.75 2022-09-23 https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457024162806-XH03IVFMI26S05KB074J/31.jpg portfolio - Caravan In hac habitasse platea dictumst. 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